I should mention that as atypical as my Italian shoot was, it was nothing like my first commercial with Y&R Chicago where we were still writing scripts the night before the shoot. We’d selected the director. We’d flown to New York. We’d gone through two days of callbacks at the talent agency. And we’d had the prepro. But the client had killed so many scripts, we were still writing them.
1 comment:
Writing and re-writing makes you strong like bull. A writer friend in SF has written 74 scripts so far for a new biz pitch. Occasionally, it ain't so bad being the Art Directin' type monkey.
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